| The Monkees Second Season - Episode No. 45: |
"THE MONKEES IN TEXAS"
The Monkees visit Michael's aunt in The Lone Star State, where her ranch
is under attack from a ruthless gang of killers bent on driving her off! |
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| Technical & Telecast Info: |
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Production No. 4761
Final Draft: October 10, 1967
Filmed At: Screen Gems Studios, Hollywood, CA, and on location at Columbia Pictures' ranch, Burbank, CA.
Filming Dates: October 16-19, 1967 (this episode); mid-October 1967 ("Goin'
Down" musical number)
Original Air Date: December 4, 1967
Ratings: 18.3 rating/30.1 share (10,250,000 viewers)
© Raybert Productions; 12-4-67; LP37684
Sponsor This Week: Kellogg's™
Rerun Date: May 27, 1968 (NBC)
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- The Monkees TV Show 8 (VAP Video VHS Tape VPVU-63092 [Japan], November 1, 1992)
- The Monkees - Special TV Collection - Disc 8 - Side 2 (VAP Video VPLU-70215 [Japan], December 1, 1992)
- The Monkees: The Collector's Edition - VHS Tape #6 (Columbia House #13226 , May 22, 1995)
- The Monkees Deluxe Limited Edition Boxed Set - VHS Tape #4 (Rhino R3 2960, October 17, 1995)
- The Monkees - Volume 4 (Rhino VHS R3 2238, March 26, 1996)
- The Monkees - Season 2 DVD Boxed Set - Disc 3 (Rhino RetroVision DVD R2 970128, November 18, 2003)
- The Monkees - Season 2 DVD Boxed Set - Disc 3 (Eagle Rock Entertainment DVD EM351369, September 27, 2011)
- The Monkees - The Complete Series - Blu-Ray Disc 6 (Rhino BD2-552705, July 8, 2016)
The Monkees pull up to a house in a desert setting, driving a golf cart instead of the Monkeemobile, after a long 3-days on the road. Once they disembark the cart, Michael explains to Peter, and the audience, that they’re in Texas at his Aunt Kate’s house, whom he last visited way back in Spring of 1954! The Monkees then hear gunfire and duck for cover. Two women in 19th-century Western attire arrive on horses and scurry into her house, and Michael identifies one of them as his aunt. Three masked men in black arrive and shoot at the women while The Monkees run inside to help Michael's aunt. The women shoot rifles out the window at the bandits as the Monkees enter the little green house. Aunt Kate greets Mike briefly and tells the Monkees to “grab a rifle.” Of course they all try to grab the same rifle. Aunt Kate clarifies that there’s one for each of them on the rack. There’s a Marx-brothers type scramble when Peter keeps putting the guns back on the rack as the others try to hand them out. The Monkees wind up cocking invisible guns. As the younger woman, Lucy, gives them one of those “funniest looks from everyone we meet,” The Cool Quartet try again, and each shows off their weapon: Micky, “Winchester 73,” David, “Colt 45,” Michael, “Smith and Wesson, 38.” Except Peter, who takes an anti-violence stance, wields a bottle of champagne, “Vintage ‘66.”
The Monkees help defend the house, except Peter uses a finger gun and “fires” by saying “bang-bang-bang!” Peter explains to David, “Well, I hate violence. Besides, I have more shells than you.” The lead bandit asks, “Have you had enough, nesters?” Michael corrects them, “The name is Nesmith!,”. Aunt Kate corrects Michael that “nester” means farmer, so Mike politely allows the bandit to go on. The bandits open fire at the house and Micky comments, “they’re throwing everything at us but the kitchen sink!” As if on cue, the bandits roll an actual flaming sink at the house! David runs outside and turns the faucet on in the sink dousing the flames with water from the otherwise unconnected sink, and thus saving the day. The bad men realize there is firepower in there and flee. The Monkees celebrate and the women stare at them incredulously; Lucy halts their celebration, “I wouldn’t be too happy about that, they’ll be back.” Micky, Peter, and David are all but too eager to leave Aunt Kate’s now that the gunfight is over, but Michael insists that they stay for family loyalty and bravery etc. but mostly because the bandits “killed our golf cart.” Micky and Peter go to get some help; Kate advises them to look more “Western” so they’ll fit in better, as they don’t take kindly to strangers.
Aunt Kate tells Michael that Black Bart has been attempting to get her land for about a year. Michael introduces Kate to David and then realizes he doesn’t know Lucy, the younger woman. She takes off her bonnet and flusters Mike with a shake of her long blonde hair, giving Michael the setup to act comically awkward. Meanwhile in town, Micky and Peter disguise themselves as “The Lone Stranger” and “Pronto,” to blend in with the townsfolk. Peter is unsure of his outfit, as he should be since they both look like they’re wearing little kid’s Halloween costumes, but Micky reassures Peter that he looks very “psychedelic” because of the peace symbol and beads. They enter the Marshall’s office and explain the trouble at Nesmith’s ranch, but the Marshall tells them he’s unavailable to help because he’s busy shooting his own TV series, and then has an Emmy dinner that night (he's nominated for an award!). He instead suggests they go to a saloon and hire some outlaws, as he does the same thing whenever he needs a posse! Back at the ranch, David spots three men riding towards the house and warns the others. However, Kate identifies the men as friends: The Cartwheels, Ben, who owns half the valley, and his sons Mule and Little Moe. Ben orders David to water his horse, which he does literally by using a watering can! He then asks Kate to sell out to him so she won't have to worry about Black Bart and his gang, but she rebukes his offer.
Micky and Peter go to the saloon and ask for men with prices on their heads and the bartender points to three men who do (literally). They are spotted by Red and Sneak and Micky explains he wants hired guns. One thing leads to another, and before either knows what's happened, Micky unwittingly agrees to be inducted into Black Bart's posse. At the ranch, Kate explains about her cattle dying because of some filthy dirt on her ranch; Michael takes a sample of the dirt to town to be analyzed. While at Black Bart's hangout, as Micky and Red play cards waiting for the boss (Peter, who looks on, unintentionally ruins Micky's strategy by calling Red's bluff), Sneak informs Red that there's one guy left at Kate's ranch and now is the time to strike, Red says they will, upon Bart's return. Micky sends Peter to warn Kate and Red threatens to kill him if Peter isn't back in 10 minutes! At Aunt Kate's ranch, Peter brings his horse into her kitchen (nobody was at the barn) and warns them of the imminent attack; Kate sends David to The Cartwheels for help. David rides over to the Cartwheel place on horseback backwards to inform Ben of Bart's plans. Meanwhile at the saloon, Michael arrives and goes to the assayer who's also the bartender that the dirt contains the highest grade of black gold: b.k.a. crude oil! Black Bart returns to his henchmen in his hideout and demands to know which one of them is a traitor for going over to the Nesmith ranch to give a warning; Red and Sneak point to Peter, "the Injun!" Peter tries to escape, but he is trapped and Micky is ordered to kill him. He is unable to bring himself to do so, blowing his cover, and they are immediately covered.
At the Nesmith ranch, Michael attempts to contact John Wayne by phone; given a rifle by Aunt Kate, he and David prepare for another imminent attack. Meanwhile, outside, Micky and Peter, in desperado gear, secretly listen in on Black Bart, Red and Sneak plotting to give Kate one final chance to sell out or kill her out-and-out and fake her signature on the mortgage. Convinced well beyond the shadow of a doubt that Black Bart and Ben Cartwheel are one and the same, Micky and Peter ride off to the Nesmith ranch to warn David, Michael, Kate and Lucy about Black Bart's attack and of his true identity. Bart and his cronies follow not too far behind, and a see-saw musical battle set to
"Words" ensues, with The Monkees defeating the bad guys in black one by one, driving them away for good, and the ranch is saved. But again, a still-skeptical Lucy halts their celebration, saying “I wouldn’t be too happy about that, they’ll be back.”
Micky Dolenz performs an alternate take of
"Goin' Down" alone on a dark stage in multiple versions and different colored lights as he dances and sings, under a swath of superimposed saxophones, trombones and guitars.
The original Screen Gems Storyline for "The Monkees In Texas" had Micky and Peter sobbing in each other's arms after the former refused to kill the latter. A see-saw battle then ensues, with The Monkees knocking off the bad guys in black one by one and Black Bart unmasked -- as Ben Cartwheel!
The 1967 remake of Boyce & Hart's "Words" makes its first appearance in a first-run episode of
The Monkees television series in
"The Monkees In Texas"; previous appearances of the track had been in 3 redubbed 1967 summer repeats:
"The Monkees In A Ghost Town" (July 17, 1967),
"Monkee Chow Mein" (July 31, 1967), and
"The Monkees On Tour" (August 21, 1967).
The piano rendition of "Auld Lang Syne" first used here is used again in Episode No. 56, "Some Like It Lukewarm" (a.k.a. "The Band Contest").
This is the first of 2 times a musical number occupied space of an entire tag sequence of a Monkees episode (in this case,
"Goin' Down"); the second is in No. 57, "The Monkees Blow Their Minds" ("Daily
Nightly").
The saloon set in "The Monkees In Texas" was previously used for Episode No. 7, "The Monkees In A Ghost Town," and No. 33, "It's A Nice Place To Visit... (a.k.a. "The Monkees In Mexico")". It will be used again as The Some Little Out Of The Way Place Where Nobody Goes Cafe in No. 56, "Some Like It Lukewarm" (a.k.a. "The Band Contest").
"The Monkees In Texas" is one of 10 Monkees episodes to use voice-over narration; others are No. 4,
"Your Friendly Neighborhood Kidnappers", No. 32,
"The Monkees On Tour", No. 37, "Art For Monkee's Sake", No. 38, "I Was A 99-lb. Weakling", No. 46, "The Monkees On The Wheel", No. 48, "The Fairy Tale", No. 49, "The Monkees Watch Their Feet", and No. 52, "The Devil And Peter Tork", and No. 57, "The Monkees Blow Their Minds".
The Monkees finished work on their fourth album, Pisces, Aquarius, Capricorn, & Jones, LTD., at the same time this episode was produced.
"Words" and
"Goin' Down", "The Monkees In Texas"'s featured tunes, are also the featured tunes of Episode No. 51, "The Monkee's Paw", in addition to being the flipsides of The Monkees' fourth and fifth singles, respectively.
"The Monkees In Texas" was denied rebroadcasts on CBS and/or ABC Saturday Afternoon because of their Broadcast Standards and Practices objecting to the use of handguns. A similar reason was why Episode No. 53, "The Monkees Race Again" (a.k.a. "Leave The Driving To Us"), wasn't shown on these networks as well.
The version of "The Monkees In Texas" included on the 1995 Deluxe Limited Edition Boxed Set, the select VHS release in 1996, and the 2003 Monkees - Season 2 boxed set is the Colex studio-struck syndicated print from 1986, as its original 35mm prints could not be located in time for it to be restored. Since then, however, a newly-restored, digitally-remastered version has surfaced, and made its first appearance on basic cable on July 4, 2015, on IFC.
Trivia Footnote: An archived copy of the 1986 syndicated version of
"The Monkees In Texas" at The Museum Of Broadcast Communications in Chicago has the 1960s NBC "peacock" opening and a Monkees commercial for Kellogg's Rice Krispies grafted onto it.
Both Micky and Peter know Black Bart's true identity, despite never having heard it.
"The Monkees In Texas" is the second Monkees episode this season to lampoon Westerns; the first was the second season premiere, Episode No. 33, "It's A Nice Place To Visit...". A number of dramatic musical stings from these episodes were reused in Episode No. 58, "Mijacogeo" (a.k.a. "The Frodis Caper"). Earlier episodes which find The Monkees taking shots at Westerns (pun intended!) are No. 7,
"The Monkees In A Ghost Town", No. 10,
"Here Come The Monkees" (a.k.a. "The Monkees - The Pilot"), and No. 30,
"The Monkees In Manhattan" (a.k.a "The Monkees Manhattan Style").
Ironically, in the 1967-68 season, The Monkees TV show aired head-to-head opposite 2 TV Westerns: Cowboy In Africa (ABC, 1967-68) and Gunsmoke (CBS, 1955-75)! (Another Western, The Iron Horse [ABC, 1966-68], aired opposite The Monkees in 1966-67.)
The Emmys are mentioned twice in "The Monkees In Texas". First, the caption "FOR EMMY CONSIDERATION" is superimposed in front of a freeze-frame shot of Aunt Kate and Cousin Lucy after they and The Monkees drive off Black Bart, Red and Sneak. Then, as Micky and Peter approach The Marshall for help, The Marshall declines, as he is due to attend an Emmy dinner that evening and is up for an award! These are obvious allusions to The Monkees television series' past 1966-67 Emmy wins.
We learn here that Michael also has a Cousin Clara.
The Roulette wheel seen in the saloon foreshadows events in the very next episode, "The Monkees On The Wheel".
Red chewing bubblegum is an obvious reference to The Monkees' bubblegum image.
"The Monkees In Texas" parodizes 4 well-known TV Westerns: The Big Valley (ABC, 1965-69), Bonanza (NBC, 1959-73), The Lone Ranger (ABC, 1949-57), and the aforementioned Gunsmoke. The Monkees' background music composer/conductor Stu Phillips adapts musical excerpts from the main title themes to 3 of these Westerns--Bonanza, Gunsmoke, and The Lone Ranger--into
"The Monkees In Texas"'s incidental music cues. And to focus on The Big Valley, Monkee references are made to its star, Miss Barbara Stanwyck, in Episode No. 40, "The Monkees Marooned" and the 1968 movie HEAD.
"The Monkees In Texas" is the second Monkees episode to feature a lampoon on Gunsmoke, following Episode No. 7, "The Monkees In A Ghost Town," which saw a Chester Goode-wannabe country bumpkin making a reference to Bob Dylan over the phone to David.
The brand names of the guns Micky and David wield in preparation for facing Black Bart are reflective of 2 movie westerns: Winchester '73 (the 1950 Universal International picture and its made-for TV remake, which aired on NBC March 14, 1967) and Colt .45 (the 1950 Warner Bros. film and the 1957-60 ABC series it spawned).
The running gag of Michael screaming into an inverted end of the speaking piece of a telephone reciever is borrowed from Episode No. 21,
"The Prince And The Paupers".
The guy with the mustache that Micky bumps into in the saloon (after brushing off a saloon gal ["Not now! This is a family show!"]) is... David Jones!
In his disguise as The Lone Stranger, Micky uses the same buckskin shirt previously worn by Michael in Episode No. 33, "It's A Nice Place To Visit..." and No. 35, "Everywhere A Sheik Sheik".
This is the second episode which finds Peter Tork pretending to shoot the enemy with his finger ("Well, I hate violence. Besides, I have more shells than you!"); the first is No. 2,
"Monkee See, Monkee Die". It's also the reason why not once throughout "The Monkees In Texas" is Peter seen handling a gun.
The character Black Bart is named after a for-real stagecoach robber from 1875-83. He is known for the poetic notes he would leave at the robbery scene. Interestingly, in the Western fantasy sequence of Episode No. 7,
"The Monkees In A Ghost Town", Michael Nesmith can be seen playing a villain called Black Bart!
Just before the romp set to
"Words", Micky runs inside the Nesmith home and makes an inverted 'V' sign towards the camera (or towards Black Bart and his gang). This is the British equivalent of the middle finger and as such would have been a very rude thing to do on TV at the time!
In the teaser, after Black Bart calls them "nestors" (meaning "farmers"), Michael reprimands him, thinking he has mispronounced his surname, Nesmith. This is in reference to previous episodes in which characters have mispronounced Michael's last name: No. 12,
"I've Got A Little Song Here", and No. 36, "Monkee Mayor".
Prior to his death in 1969, Barton MacLaine (Bart/Ben) portrayed Gen. Martin Peterson on I Dream Of Jeannie (NBC, 1965-70). He also played Marshall Frank Caine in the TV series The Outlaws (NBC, 1960-62). He was previously featured in an episode of Micky Dolenz (Braddock)'s old series, Circus Boy (NBC/ABC, 1956-58): "The Tumbling Clown" (5/5/57). On Gunsmoke, he appeared with Vincent Gardenia ("The
Case Of The Missing Monkee") in the March 4, 1967 episode "Noose Of Gold" (#1615-0226), and with Gene Rutherford ("The
Monkees At The Circus") in its thirteenth season debut, "The Wreckers" (#1615-0251, September 11, 1967), whose first half hour competed with The Monkees' season-2 debut, "It's A Nice Place To Visit...".
Bonnie J. Dewberry appears here as Michael's baby cousin Lucy. Only the original TV Guide listing for
"The Monkees In Texas" made any mention of this! (Picture of the TV Guide listing for
"The Monkees In Texas" showing this mention, 184k gif) Dewberry can also be briefly seen on The Monkees in another uncredited role as Dr. Mendoza (John Hoyt)'s beautiful daughter in Episode No. 18,
"I Was A Teenage Monster"; she and four other Monkees guest alum (Michael Bell, Felix Silla, George Stratten, and Joseph Mell) appeared in the 1967 MGM movie Point Blank starring Lee Marvin - her only big-screen role.
The late Len Lesser (seen here as Red) has been previously seen on this show in "The Monkees In A Ghost Town," as the chief bank robber, George. Lesser later assumed the recurring role of Jerry Seinfeld's Uncle Leo on
Seinfeld (NBC, 1989-98), and portrayed Garvin on
Everybody Loves Raymond (CBS, 1996-2005).
"The Monkees In Texas" aired a day after Leonard King Lesser's 45th birthday; he died at age 88 on February 16, 2011.
The late Jacqueline deWit's role as Aunt Kate Nesmith in this episode was her last acting job; she succumbed to natural causes on January 7, 1998. deWit appeared briefly in the November 20, 1959 episode of
The Twilight Zone (CBS, 1959-64), "Time Enough At Last," which had Monkee cameo guest Burgess Meredith ("The Monkees Blow Their Minds") in the tile role. A character actress from the 1930s Broadway stage who often played "the Other Woman"-type characters in late 1940s films, she was the only actress to ever play an on-screen wife of Bud Abbott, in the 1946 Universal
Abbott and Costello flick
Little Giant.
Rex Holman is known to Trekkies in his role of Morgan Earp in the October 25, 1968 episode of Star Trek (NBC, 1966-69), "Spectre of the Gun" and J'Onn in Star Trek V: The Final Frontier (Paramount, 1989). Holman also appeared in a couple of episodes of The Iron Horse: "High Devil" (9/26/66) and "Six Hours To Sky High" (11/25/67); he also appeared with pre-"The Monkees In Texas" co-guest star Stuart Nisbet in an October 18, 1965 episode of The Farmer's Daughter (ABC, 1963-66), "Forever Is A Cast-Iron Mess," which also featured pre-Monkee guests Ceil Cabot ("The
Royal Flush",
"The Success Story"), Hollis Morrison ("The
Monkees In A Ghost Town"), and Diana Chesney ("The
Chaperone"). Surprisingly, both Holman and "The Monkees In Texas" director Jim Frawley were seen in the January 7, 1966 episode of The Man From U.N.C.L.E (ABC, 1964-68), "The Dippy Blone Affair" (prod. #7485), which also featured pre-Monkee guest Robert Strauss ("Alias
Micky Dolenz"). And he would later have a turn on the venerable Gunsmoke with Nacho Galindo ("It's A Nice Place To Visit...") in the October 7, 1968 installment, "Zavala" (#1615-0301).
"The Monkees In Texas" aired a week before Rexford George Holman's 32nd birthday.
Stuart Nisbet played the bartender in this segment, a role he also had in the TV series The Virginian (NBC, 1962-71), as Bart the Bartender. Nisbet was a regular guest performer of the 1967-70 NBC incarnation of Dragnet and also on Bonanza. His most recent role was as Judge R. Kenney in the October 21, 2001 "The Vanished (Part 2)" episode of
The Practice (ABC, 1997-2004). Nisbet passed away June 23, 2016.
The late James J. Griffith (Marshall) wrote for the original version of the TV series The Fugitive (ABC, 1963-67). His most famous TV role was that of Deputy Tom Ferguson in The Sheriff Of Cochise/U.S. Marshall (Synd., 1956-60), and he also made a guest appearance on Batman (ABC, 1966-68) as Manx in the Stanley Ralph Ross-written "Catwoman's Dressed To Kill" (#1717, aired Dec. 14, 1967, 10 days after "The Monkees In Texas"'s telecast). Out of this episode's entire guest cast, Griffith is the only one to have made a guest appearance in all four TV Westerns that are parodied here; however, unlike Rex Holman, Len Lesser and Barton MacLane (who all appeared in at least one of those shows - Holman in three), Griffith appeared in The Lone Ranger.
Photographer and L.A. socialite Nurit Wilde makes an unbilled cameo in
"The Monkees In Texas". Also, you can spot Monkee stand-ins David Price ($5000) and Richard Klein ($3500), and Nyles Brown ($1000) in cameos of their own as The Men With Prices On Their Heads; all three turn up again in the Monkees series finale, "Mijacogeo."
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